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The Phantom of the Opera (French: Le Fantôme de l'Opéra) is a novel by French author Gaston Leroux.. Erik: The Phantom of the Opera, a deformed stage magician, skilled opera enthusiast, and ventriloquist, also called 'the Angel of Music' and 'the Opera Ghost'. He voice-tutors Christine Daaé and eventually becomes obsessively infatuated.

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Erik is born in a small town outside of Rouen, France. Born hideously deformed, he is a "subject of horror" for his family and as a result, he runs away as a young boy and falls in with a band of Gypsies, making his living as an attraction in freak shows, where he is known as "le mort vivant" ("the living dead").

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Phantom is a 1990 novel by Susan Kay, based on the 1910 Gaston Leroux novel The Phantom of the Opera. It is a biography of the title character Erik. Plot summary The Phantom is born as Erik in Boscherville, a small town not far from Rouen, in the summer of 1831.

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Erik (also known as the Phantom of the Opera, commonly referred to as the Phantom) is the title character from Gaston Leroux 's 1910 novel Le Fantôme de l'Opéra, best known to English speakers as The Phantom of the Opera.

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Erik is the main protagonist as he appeared in in Susan Kay's Novel Phantom Erik, better known as The Phantom of the Opera was born in 1831 in St. Martin de Boscherville, France. His father died on the 3rd of May, three months before his birth. His date of Birth is not named, but looking at his fathers death, it must be in the beginning of August. His father, named Charles, was a successful.

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Erik The Phantom of the Opera Opera Ghost The Angel of Music The Phantom The Trap-Door Lover 'Look! You want to see! See! Feast your eyes, glut your soul on my cursed ugliness! Look at Erik's face! Now you know the face of the voice!

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Erik is the titular phantom and main antagonist of the story who develops into a tragic character. The text introduces Erik through his persona as the Opera Ghost, a figure more of legend than a real man. Erik torments the Opera under this disguise, extorting money from the managers and wreaking havoc amongst the superstitious artists.

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Love Never Dies Perhaps not. Unbeknownst to many, Phantom's story continues in the musical sequel Love Never Dies. Mixed reviews explain the sequel's obscurity, but despite its flaws, I enjoyed discovering the ultimate fate of the characters from Phantom. Synopsis

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Erik, the main character in the story, who is more commonly known as the Opera Ghost or the Phantom, is a personality to be unraveled. RELATED : The Phantom Of The Opera: 5 Accurate Scenes From The Book (& 5 Inaccurate Details)

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Admired by both her childhood friend the Viscount Raoul de Chagny and by the mysterious "Phantom" Erik, opera singer Christine Daaé soon finds herself stuck in a love triangle. However, despite each character's frequent professions of love, no character proves perfectly trustworthy or upright in their romantic pursuits: Erik strives to control Christine through violent domination, Raoul.

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Erik (also known as the Phantom of the Opera, commonly referred to as the Phantom) is the title character from Gaston Leroux 's 1910 novel Le Fantôme de l'Opéra, best known to English speakers as The Phantom of the Opera.

Pin by Ayaka Tanabe on The Phantom of the Opera Opera ghost, Phantom

Erik, better known as The Phantom of the Opera, is the titular character of the 1910 novel Le Fantôme de l'Opéra (The Phantom of the Opera) written by the late Gaston Leroux.He is the titular protagonist of the story and its adaptations of the same name. Erik is an extremely intelligent and talented musician who lives hidden at an Opera House in Paris because of his deformity. He falls in.

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Known as "P. of the Opera," "the ghost," "the Voice" and "the Master of the Traps," Erik is the antagonist of the novel and a tragic, violent, and ultimately mysterious figure.

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At the Masquerade Ball Erik arrives as The Red Death and injures a clown by grabbing his wrist in an iron grip and only releasing him to pursue Christine and Raoul. He follows them to the rooftop and from Apollo's Lyre witnesses them kissing and making an escape pact. During the performance of Romeo and Juliet Erik causes the the crash of the.

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Analysis. Most of the final chapters in the book are written from the perspective of the Persian, and we see the climax of the story: after Christine agrees to marry him, Erik floods the torture chamber with water. The Persian and Raoul scream for help, and after some pleading from Christine, Erik saves them.

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The narrative of The Phantom of the Opera is driven by the "Phantom" Erik 's misdeeds, which range from intimidation and blackmail to abduction and murder. Erik's past as an assassin in Persia puts these crimes in context, portraying Erik as a callous individual whose life work centers around violence. At the same time, Erik's.