After Hours YouTube


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After Hours is a 1985 American black comedy film directed by Martin Scorsese, written by Joseph Minion, and produced by Amy Robinson, Griffin Dunne, and Robert F. Colesberry.. Film critic Roger Ebert gave After Hours a positive review and a rating of four out of four stars. He praised the film as one of the year's best and said it "continues.


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An excerpt from Scorsese by Ebert. Since that first day, Scorsese has never disappointed me. He has never made an unworthy film. He has made a few films that, he confided, he "needed" to do to get other films made, but those films were well made, and if it is true, for example, that After Hours was done simply to keep him busy and distracted after the heartbreak of the first cancellation.


After Hours YouTube

Roger Ebert named After Hours one of the year's best films, giving it four out of four stars and calling it a great combination of comedy and satire. In fact, 24 years after its release,.


After Hours YouTube

Roger Ebert was an early big fan, but many critics didn't seem to grasp After Hours' indulgence of screwball paranoia as a snapshot of the times, and a statement on social dislocation.


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"After Hours" is, first and foremost, a blast.. As Roger Ebert accurately wrote, the film is masterful for its "disorienting camera angles and unconventional use of focus." I wanted to.


After hours Rio de Janeiro, Brazil. January 2010 Carlos Ebert Flickr

2 'The Long Goodbye' (1973) Image via United Artists. The Long Goodbye is a cold comedy noir, the story of a private investigator who, when helping a friend who has been accused of murdering his.


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Roger Ebert, RogerEbert.com "After Hours" could be called a "hypertext" film, in which disparate elements of the plot are associated in an occult way. In "After Hours," such elements.


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"After Hours" approaches the notion of pure filmmaking; it's a nearly flawless example of -- itself. It lacks, as nearly as I can determine, a lesson or message, and is content to show the hero facing a series of interlocking challenges to his safety and sanity. It is "The Perils of Pauline" told boldly and well. Critics have called it "Kafkaesque" almost as a reflex, but that is a descriptive.


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Cinematography. Editing. Short film. Please enter a payment description. June 18, 2022 'After Hours' was like an independent film. It was shorter and cheaper. I just wanted to see if I still had the energy to shoot quickly. There's a certain passion that you have to have to make 'Mean Streets' or 'Taxi Driver' and 'Raging Bull.'.


After Hours

Metascore. Based on 8 critic reviews provided by Metacritic.com. 100. Chicago Sun-Times Roger Ebert. After Hours is a brilliant film that is so original, so particular, that we are uncertain from moment to moment exactly how to respond to it. The style of the film creates, in us, the same feeling that the events in the film create in the hero.


After Hours Films

"After Hours" approaches the notion of pure filmmaking; it's a nearly flawless example of -- itself. It lacks, as nearly as I can determine, a lesson or message, and is content to show the hero facing a series of interlocking challenges to his safety and sanity.. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his.


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After Hours: Directed by Martin Scorsese. With Griffin Dunne, Rosanna Arquette, Verna Bloom, Tommy Chong. An ordinary word processor has the worst night of his life after he agrees to visit a girl in Soho he met that evening at a coffee shop.


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For Roger Ebert, After Hours demonstrates the elusive notion of "pure filmmaking", an exercise in all style and no substance: "It lacks, as nearly as I can determine, a lesson or message.


Film critic Roger Ebert dies at 70 Polygon

After Hours is a caffeinated black comedy with an emphasis on speed. With a small crew and a tight shooting schedule, Scorsese transformed limited means into a staccato burst of creative energy, playing up the extreme paranoia and frustration of a data processor stranded in Soho. By Scott Tobias FULL REVIEW. 80.


After Hours movie review & film summary (1985) Roger Ebert

0:00 Intro1:23 The Falcon & The Snowman3:46 Lost in America6:16 After Hours8:25 Prizzi's Honor11:40 The Purple Rose of Cario13:41 The Color Purple15:50 Shoah.